本色出演/成为本尊——中国和以色列的20位女性艺术家的摄影和录像作品

    来源:上科大创艺    作者:上科大创艺    时间:2019-04-26

     

    本色出演/成为本尊

    中国和以色列的20位女性艺术家的摄影和录像作品

    展览日期

    2019. 04. 26 —— 10. 31

    展览开幕

    2019. 04. 26 (FRI)14:00

    展览地点

    上海科技大学 图书馆 书卷

    开幕讲座

    2019. 04. 26 (FRI)16:00

    上海科技大学 图书馆 302报告厅

    合作策划人

    苏珊.布罗施-莱维特和张芳

    十位中国艺术家

    崔岫闻、方璐、胡海博、胡佳艺、刘沁敏、刘思麟、吴丹丹、文慧、邢丹文和许静宇

    十位以色列艺术家

    Raida ADON, Sharon GLAZBERG, Keren GUELLER, Michal HEIMAN, Alex KURBATOV, Vered NISIM, Hadas SATT, Tal Shochat, Noa YAFFE and Noa YEKUTIELI

    关于展览

    中国和以色列分处亚洲大陆两端,拥有悠久璀璨的文明史,本次展览中的艺术作品相互交融碰撞,探讨并提出有关文化精髓的诸多问题,旨在提升对两种文化相似性和差异性的更多了解。

    十位中国女性艺术家是:崔岫闻、方璐、胡海博、胡佳艺、刘沁敏、刘思麟、吴丹丹、文慧、邢丹文和许静宇。

    十位以色列女性艺术家是:Raida ADON, Sharon GLAZBERG, Keren GUELLER, Michal HEIMAN, Alex KURBATOV, Vered NISIM, Hadas SATT, Tal Shochat, Noa YAFFE and Noa YEKUTIELI.

    这些视觉艺术家都在摄影、短片、移动影像和电影的前沿战线上表现卓著,具有创新精神。

    事实上,他们都在挑战摄影和影像。每一位艺术家都以自己的独特方式,构建个人世界里的艺术和社会的变革。这些女性艺术家和过去历史上的女性人物进行对话,将现实和神话结合在一起。艺术家的作品来自她们和这个社会在心理、社会和文化层面的思考和行动,但是更重要的是在人性层面。这些激进犀利的图像、寓言故事和偶像符号和摄影的历史有关,与历史中的女性表达有关,创作的图像表达了影像本身的历史创伤以及影像(静帧、录像和电影)作为媒介的双重标准。

    这些艺术作品传递出强悍的视觉冲击力,有些已经腐朽、还有困于边缘的、受到威胁的、被故意遗忘的往事。艺术家拒绝接受霸王条款,图像被解构,她们创作出的影像作品内容引导大家去思考其中的意义,以及为什么她们要使用影像这个媒介。作品表达出艺术家对真实和想象、揭露现实,解说作品,隐藏或者假扮,通过记录来营造虚假现实,加深对苦难和没有永恒的理解。艺术家拒绝被分类被代表。她们希望引领大家超越界限和限制,跳过时空逶迤,勇闯创新和自由的领域,进入此时此地以及未来。

    这些作品激励观众对话,激发此刻此处立即行动。

    Impersonating Myself / Becoming Myself

    Photographs and Videos

    by 20 Chinese and Israeli Women Artists

    Exhibition Date

    2019. 04. 26 —— 10. 31

    Exhibition Opening

    2019. 04. 26 (FRI)14:00

    Exhibition Venue

    ShanghaiTech University Library

    Multifunction Area

    Symposium

    2019. 04. 26 (FRI)16:00

    Symposium Venue

    ShanghaiTech University Library

    Room 302

    Co-Curators

    Shoshan Brosh-Levitt and Zhang Fang

    10 Chinese Artsts

    CUI Xiuwen, FANG Lu, HU Haibo, HU Jiayi, LIU Silin, LIU Qinmin, WU Dandan, WEN Hui, XING Danwen, XU Jingyu

    10 Isarel Artists

    Raida ADON, Sharon GLAZBERG, Keren GUELLER, Michal HEIMAN, Alex KURBATOV, Vered NISIM, Hadas SATT, Tal Shochat, Noa YAFE and Noa YEKUTIELI

    About the Exhibition

    China and Israel are two civilizations located on both sides of the Asian continent. The artistic encounter in this exhibition raises questions about cultural essence and aims to highlight similarities and differences.

    Ten female Chinese artists are participating in the exhibition: CUI Xiuwen, FANG Lu, HU Haibo, HU Jiayi, LIU Qinmin, LIU Silin, WU Dandan, WEN Hui, XIN Danwen, XU Jingyu.

    Ten female Israeli artists are participating in the exhibition: Raida ADON, Sharon GLAZBERG, Keren GUELLER, Michal HEIMAN, Alex KURBATOV, Vered NISIM, Hadas SATT, Tal Shochat, Noa YAFE and Noa YEKUTIELI.

    All are visual artists, active on the front lines of innovation in photography, video, moving images and film.

    In actuality, they challenge photography and video. Each in her own way seeks to create artistic and social changes in their world. The artists relate to women and figures from the past, combining myths with reality. Their work comes from the artist acting within a psychological-social-cultural sphere, but - first and foremost - the human sphere. Radical sharp images and displays of icons and allegories refer back to the history of photography and the feminine representation within it. They express the trauma and double standards inherent to photography (stills and video) as a medium.

    The visual impact of the art creates narratives, some eroded others marginalized, threatened or forgotten. By refusing to accept hegemonic narratives and deconstruction of the images, the artists guide the content of their work and their use of photography. In their work, the artists explore reality and imagination, expose truth, interpret works of art, conceal or disguise, deceive by documentation, perpetuate the impermanent and the traumatic. They eliminate categories of classification and representations, transcending them to process wanderings through time and space into an innovative and liberated here and now, and beyond.

    The work motivates a dialogue with the viewers and stimulates action from here on.

    校园地图

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